Five Reasons for an Indoor Brick Oven

Reason number one:
Winter (doesn't stop some people)






Reason number two (through two million):  Bugs (stops most people)

Reason number three:  Rain (Soggy crusts but your dog won't mind)

1680 × 1050 - best-wallpaper.net

Reason number four: Sunstroke (Dogs will mind)

648 × 486 - squierj.freeyellow.com

1200 × 951 - michigan.gov

254 × 300 - picturesof.net

Tuscan room by TBO (perfect room)

338 × 415 - maineblackfly.org

600 × 450 - travelblog.org

300 × 300 - offthegridnews.com

Reason number five: You don't live in coastal California  (at least 99% of you)

Ventura Oven by TBO (perfect weather)

An indoor or three-season room with a brick oven will be used 50 times more frequently than an outdoor oven unless you have perfect weather year-round.

Tchulent

Back in the day, observant Jews did not do work of any kind from sundown on Friday until sundown Saturday, the parameters of Sabbath.  This included cooking.

Because most communities had at least one brick oven run by the local baker, a tradition arose of bringing a covered pot of uncooked food to be placed in the oven on Friday before sundown and retrieved on Saturday evening.  No one cooked on the Sabbath and a hot dinner awaited them after it was over.

It was the original 'slow-cooker' (still is).

http://www.maya-cookbook.com/recipes/meats/tshulent.htm

As with many recipes, the ingredients vary from region to region and cook to cook.

Sie gezund!

One Year Later

Writing posts for this blog has kept the writer part of me plenty active for the past two years.  A year ago, the blog hit the 10K mark and I thought that was pretty good for a specific topic such as this.

Today, the blog has over 40K visits, not spectacular, but satisfying.  So I keep on blogging.
Far and away, the most popular posts (over a thousand visits each) have to do with building brick ovens and I hope that many ovens have benefited from the information posted here.



Also today, I have had a total of perhaps six comments, and one email with photos of the oven the person built.  The 40K means there is interest and my work as a mason is brisk. 

Annually, I will note the visit count and invite brick oven builders to correspond with me.  Learning about brick oven building and use is a two-way street, or can be.

In the meantime, the photos above show Jason Simmons, the expert welder I depend on for doors and other hardware related to custom ovens and others (Rick Frisch and Tim in Missouri) who have contributed to my knowledge base.

2013 Maine Home Remodeling and Garden Show

In a less than two weeks I will bring my display materials to the Cumberland County Civic Center in Portland, Maine for a public trade show.

In addition to meeting lots of people, talking about- duh -Brick Ovens, I will be giving a visual talk on landscape design (the core of my stone work and design life) on Saturday, February 16th.

1:15 - 2:00      Finding Paradise: Creating Landscapes that Transcend Time

In this visual presentation, David Neufeld illustrates how an understanding of the symbolic power of objects and the organization of outdoor space can take an ordinary yard and transform it into a place apart from the time-centered world. With David’s visual arts and storytelling background, this will be a lively, thoughtful and humorous presentation.

Presented by: David Neufeld, North Star Stoneworks, Sweden, ME

Fire pit and surrounding 'stone island'
by North Star Stoneworks

I've been a landscape designer for many years and have hundreds of projects under my belt (or in the case of taller walls, trees, and mammoth shrubs, over my belt too.) northstarstoneworks.com



 A few years ago, I hauled my portable brick oven down to Portland and with the help of some fork-lift wizards managed to get it situated inside the building.  Even without a fire inside, it made a dramatic backdrop for my display.

Portable Brick Oven by TBO

However, since then I have gone truly portable.  I bring plenty of light-weight visual aids without the challenge of weight and maneuverability.  
I'll also have my website and this blog running at my booth: #503

http://newenglandexpos.com/ 

Click on the above website for all the show details.

Down Under the Brick Oven

Beneath this pile of rubble (which is beneath the floor of an 18th century farmstead in Maine) is a massive 'arch' designed to support fireplaces, a colonial brick oven, a rendering kettle, and other fire-driven tools of yesteryear.

 Close examination of the granite in the cellar (10' x 11') shows that the side pieces were  cut from the same outcrop and then put back together.

 The roof is made up of multiple slabs leveled as-needed with small stones.  The base is set off the hard-pan dirt floor on flat chunks of rock. 

This house, continuously lived in by the same family since the late 1700's has three such granite arches, each based on the same principle:  Once the stones are in place and the house is built around and above them, they WILL NOT move.

I will be building a small brick oven in the original kitchen using salvaged brick from the farm.

What We Hide, What We Reveal

As a photographer, I know that I can control the ‘depth of field’ of a photo by adjusting the size opening of the shutter (F-stop). In everyday terms, I can make the camera near-sighted, almost near-sighted or I can give the camera perfect vision where everything will be in focus. But even in the most perfectly focused photograph, detail will be lost when the grain of the film can’t keep up with the impression made by the light coming through the lens. If you get close enough to a photo, let’s say with a microscope, all you see are fuzzy strands of photographic paper.

In landscape design we can control how much of the garden is visible in one ‘take’. Do we lay out the beds so that the pattern and color can be taken in with one glance? Do we conceal elements of the garden behind a screen of lace-like foliage that puts the farther garden into fuzzy focus? Do we build walls or fences that entirely conceal parts of the garden creating an album-like effect, a page-turner?

These choices are the ways that you determine the speed at which your garden can be absorbed and appreciated.

Texture

The roll of texture plays strongly to our response to objects.

It can repel or attract, engage our imagination or we may ignore the object.

Textures are always accompanied by some color, whether subtle or dramatic.  In combination, the texture and color may evoke memory or historic association.

Masonry materials contain all these possibilities.  Using compatible, contrasting, or historic masonry textures, materials, or colors will inevitably give the constructed object a 'personality'.