Perceiving
an object requires that we distinguish it from its surroundings. The
joke about a blank piece of paper being ‘a polar bear in a snowstorm’,
applies to our perception.
Painters
and sculptors refer to positive and negative space. Positive space is
the object we are able to perceive. Negative space is the background
that allows us to see that object. In landscapes, the tree is the
positive and the sky is the negative.
Applying
this to landscape design, we may choose to remove masses of confused
greenery in order to accentuate a specimen tree. We may also take
advantage of a mass of greenery by planting or building a contrasting
form in front of it. We might ‘cut’ a hole in the greenery to form a
dark shadow. Each of these changes creates the negative space needed to
bring the desired focus to the design.
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Buildings and rooms need the same balance of positive and negative space. Distinguishing one object from another is a matter of prioritizing and choosing which will be the object of attention and which will be the background upon which the object is set.
Because brick ovens often become the focal point of a space, I am careful to balance its presence against the other features of the environment.
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